Oh yeah, I was talking about Guided
by Voices. The reason this band
works so fucking perfectly for my current situation(remember, lonely and
depressed) is that they have the exact right balance of everything I need right
now: they are sad and funny and
they have great melodies and hooks and they rock and then they take it down and
get all sad and sexy with you(theres the perfect name of a hipster song “Sad
and Sexy with You”). Its
everything you need, and all in
one band. You can put on “Bee
Thousand” or “Alien Lanes” or “Vampire on Titus” or rock out with“Isolation
Drills”and they nail it, without being too annoyingly sad or too annoying
happy; both of which you need but in controlled doses(please see your doctor
for more information). When
Pollard sings “I am a lost soul, I shoot myself with Rock N’ Roll. The hole I dig is bottomless but
nothing else can set me free” it fucking kills me, every time. This is a perfect example of music
being a higher pursuit. Its my own
cheap therapy, as I follow another along their journey and, in turn, learn how
to verbalize things about myself that I never could which makes me feel less
alone in the world, and thusly less strange and fucked up. I love it. One of my favourite parts, which you only get to enjoy once,
which just might be half the charm, is looking at the tracklist on the backs of
the CD’s and imagining what I have in store for my ears. Immediately upon purchasing “Bee
Thousand”(my favorite GBV album, by the way) one song in particular piqued my
interest and sent my mind a-reeling:
“Tractor Rape Chain.” I
couldn’t get past what a ridiculous combination of words that was; and I
couldn’t even begin to imagine what song would fit that ridiculous title. And, of course, it is now one of
my favourite songs on the album.
Why? It’s an absurdly
insightful song about that moment in a relationship when trust becomes an
issue. There are two distinctly
different instances in relationships, that I’ve found anyways, where a lack of
trust can kill you. The first
being that moment in which you have to decide whether or not to commit to the
relationship. Its always a pivotal
moment, when you’re past the point of just having fun whilst seeing this person
occasionally, and you’re in the position of trying to determine just how much
of yourself you want to give to this other person, just how many of the walls
will come down, and just exactly
what it is that they mean to you or possibly could given the chance. Its such an interesting moment in life
and love, and it’s fascinated me to the point where I actually wrote a song
specifically about just that called “Darkness and a Light.” The protagonist laments this topic,
knowing full well that all relationships will eventually fall into two opposite
categories, with no real space in the middle, which are: They are either doomed to fail, “the
Darkness,” or can succeed and bring you endless joy and happiness, “The Light,”
with most falling into the former, all while going up to the apartment and eventually
bedding the lady he can’t stop thinking about. But enough about me and my brilliance in songwriting…
The second instance in which trust
becomes an issue, is further along in the relationship after you have decided
to give the old love train another go, when something happens, some event of some
kind, that puts that little inkling of doubt into your mind. In the best case scenario, one would
simply talk to the other about it and put the item to rest. In the worst case scenario, it would
eat and eat and eat away at you until it becomes more than reality and makes
one hate the other with a deep seeded passion; with most scenarios falling
somewhere in the middle, with a fight and hurt feelings, but no intense
loathing. This one is a little
harder to explain simply, given the magnitude of variables(what actually
happened, previous issues in both said relationship and past relationships of
both involved, specific fears of the individuals involved, etc. etc.) which is why I have touched
upon this subject many times in many different songs, but only casually or
sparingly, offering no real advice, merely mentioning its existence and the
toll it takes on the people involved.
My new, as yet to be recorded, album is peppered with references to this
kind of stuff. And I’m going on
record to be the first person to call the album “Brilliant” and “Full of great
songs, expounding upon the human condition, all while making us dance and feel
just generally better about the world around us” and “Simply put, Bradley Wik
is a Genius.” Shit, there I go
again talking about myself, damn narcissistic singers…
Oh yeah, I was talking about Guided
by Voices and the majestic wonder of a song that is “Tractor Rape Chain.” All of that sort of depressing stuff
about trust and relationships and the like(which believe me, I’ve been thinking
about a lot lately, spending hours and hours and hours trying to it figure out)
that I just said, was summed up beautifully by Robert Pollard in three minutes
and five seconds… Three minutes
and five seconds! Fuck! What an incredible song! And that’s just one of the many songs,
just as amazing, and just as perfect for a guy like me who needs a little
guidance right now, wherever I can get it from. Thank you, Robert Pollard. And that is why I am currently obsessed with and can’t stop
listening to Guided by Voices…
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