Showing posts with label wu-tang clan. Show all posts
Showing posts with label wu-tang clan. Show all posts

Monday, January 21, 2019

is it the 90's or am I just drunk and flipping through youtube... aka... yes drunk youtube is the best...

Wanna go down a youtube rabbit hole with me? Too late… seems like there are better things to do besides watch:


“One Week” by Barenaked Ladies (canadiens have an immaculate sense of humor)

seems like a 90’s night: “Gimme Some More” by Busta Rhymes

(that shit was so fucking amazing to experience for the first time and is pretty much just as amazing to experience like fucking 20 years later…)

“Hard to Explain” by the Strokes (what the fuck? Us kids didn’t know Television so this is the most amazing thing we had heard like this)

speaking of that shit: “Marquee Moon” by Television

speaking of bands influenced by Television: “You Only Get What You Give” by the New Radicals

the 90’s brought me to this, one of my favorites: “Virtual Insanity” by Jamiroquai



by the way, “The 36th Chamber of Shaolin” is amazing. It’s on Netflix, just sayin…

this is also from my childhood: “Jump” by Kris Kross

man, I miss Starter Jackets…

and with that same sample from “Paul’s Boutique,” “I Missed the Bus” by Kris Kross

and we go to a random scottish girl I have a mad crush on: “The Mother We Share” by Chvrches

“We Sink” by Chvrches at the Doug Fir in Portland, OR (I love playing the Doug Fir but fuck Portland)


When was the last time you watched “Dangerous Minds?” It’s fucking awesome. Michelle Pfeiffer is so gorgeous and talented, I could watch it over and over…

Speaking of the 90’s, remember the Offspring: “Pretty Fly for a White Guy”

Oh yeah, the Offspring used to be pretty good: “Self-Esteem”

I only knew my biological father til I was 6 years old (and vaguely remember the physical/emotional abuse he put upon me, my mom and sister) so this song always hit me right in the fucking solar plexus: “Father of Mine” by Everclear (another Portland band) but I never heard from my father for the rest of my life (supposedly, he’s still alive in Phoenix. So Fuck Phoenix)

This autoplayed after the last song, so here you go: “Flagpole Sitta” by Harvey Danger

How many bourbons are recommended for a Monday night? 5? Sounds right.
Here’s the final song for tonight: “You Can Call Me Al” by Paul Simon

Not sure how this popped up on my list but fuck yeah, the best music video ever… Now, I’m happy. That doesn’t happen often so I fucking love this…

(dictated but not read)


Monday, October 23, 2017

Brett Hundley and the year 1997 aka... man, I feel old...

1997 was an amazing year, and I'm not talking about Super Bowl XXXII...  Which, I'm still not sure happened...  I'm talking about all the amazing music.  "I'm a bitch, I'm a lover..."  Nope, not that one...


Green Bay Packers Recap:  


Well, not a great start for Mr. Brett Hundley.  He seemed very reticent to throw the ball downfield, and when he did, the results were not good.  He did have a good scramble drill throw to Jordy; which I believe was Jordy's only catch on the day.  Cobb, who might be our fiercest competitor, had only 2 catches.  Davante had 2 as well for maybe 10 yards total.  Pretty brutal.  If you would've told me that Aaron Jones, the rookie, who plays with the vision and patience of a top running back prospect, not of one drafted in the 5th round, would have 130 yards and a touchdown, that Brett Hundley would rush for another TD and that we would intercept Drew Brees twice, I would've said we had a chance.  Watching the game, we hardly ever did.  Even the interceptions only came after the Saints walked it down the field twice in a row.  BUT, I, unlike a lot of people, it seems, do not blame the defense.  They played admirably despite the Saints holding the ball for over 13 minutes longer than us (which, was never mentioned during the broadcast.  Seriously, why do you think our defense couldn't stop the run in the 4th quarter?  Also, my favorite broadcast moment of the day, when one of the guys said something along the lines of "Well, the one thing you miss when you lose Aaron Rodgers is..."  The ONE THING?  The only acceptable way to finish that sentence is:  "AARON FUCKING RODGERS!!"  He even has developed his own noun since there's no way to describe the things he does, routinely, that make you forget how to speak.  I started saying this years and years ago, and it seems to have caught on.  The only way to describe the things he does is to say that he does "Aaron Rodgers things."  Before him, Brett Favre would do things that would leave you speechless, both good and bad.  But, what he did was simply "magic." Sorry Majik...  But, Aaron is so talented, not better than Favre, my favorite sports hero ever, never to be topped, EVER, but Aaron is more talented, and the things Aaron does can only be described as "Aaron Rodgers things.") and our offense doing everything they can to thwart a decent showing by the defense.  Yes, the defense couldn't get it done at crunch time, but our offense needed to do ANYTHING to help them out.  Anyways, bye week up and I still believe in Brett Hundley.  He has the confidence and courage I like in a quarterback.  He just needs to throw the ball with that same confidence and courage.  He'll be OK and, therefore, so will we... 

p.s. - I am a shareholder so I'm allowed to say "we" when referring to the Packers.

This Week in Music:


Tonight, I'm at the Best Western Inn/Motel, just off I-5 in Roseburg, OR.  Listening to the late night traffic roll by is soothing, in an odd sort of way.  Sometimes, you get the fancy Marriott in Bend, sometimes you get the BW motel just off the freeway.  I've only heard two cop cars go past, so we're doing OK.  Probably just drunk drivers but here we are.  I've stayed at much better and much worse.  This'll do for the night.  But, while sitting at the local bar attempting to be friendly and polite with the bartender and waitress, who would have fit right in at any bar in Portland since they had no desire to talk with anyone they didn't already know, especially me, and who not once asked if I would like another drink (I deliberately didn't ask for one to see how long my empty glass would be left unattended.  A full 35 minutes until I asked for the check is the answer.  Then, they finally asked if I'd like another.  No, I wanted one a half hour ago, but not now...), I overheard the waitress was born in 1997.  I know this because she twice, very loudly, proclaimed it since she could not pour or serve alcohol to the good people of Roseburg.  Seems like at a bar that would be integral to the job, but apparently they were OK with her just serving grub and standing around half the night watching others serve drinks.  The comment caught me off guard, as she looked the same age as me, but I immediately started thinking about what I was doing in 1997, and, of course, what music I was listening to.  The first part was easy.  In 1997, I was playing basketball and baseball (still too young for football) and just starting to imagine liking girls.  Also, my voice was dropping, years before everyone else, so I was being mercilessly mocked for that; until a few years later when they finally experienced that same awkwardness and I already sounded like a man and mercilessly gave it back to them.  Fucking dicks.  I'd like to say I took the high road but I didn't.  Kids are cruel.

The second part of that was much more interesting.  I thought back to records I fucking burned through during that year.  We've already covered MY LOVE OF THE PRODIGY, so let's take that as read and move on.  Goddammit, 1997 was a fucking awesome year.  We had:

- the Foo Fighters and Michel Gondry teaming up for "EVERLONG" which is still one of my favorite music videos
- Marcy Playground being fucking weird stoners and one hit oneders (bonus points for anyone who gets that reference), making every little boy, especially this catholic-raised boy, "feel funny" by saying the word "sex" in a song.  MARCY PLAYGROUND - "SEX AND CANDY"
- The Verve being the epitome of British cool (which was way cooler than American cool), well, since Oasis was done making brilliant records by then, after all two of them.  I couldn't stop listening to this shit for months on end.  THE VERVE - "BITTER SWEET SYMPHONY"
- Again, as a young boy turned on by a woman saying the words "naked on the floor," I loved this song.  Yes, it was a good tune, but I especially loved the idea of woman naked on the floor, though I did not know what that would actually look like, yet.  NATALIE IMBRUGLIA - "TORN"
- These fucking guys... Later, in my middle teens, I was obsessed with ska music.  I desperately wanted to play those all upstroke, 1-4-5 chords in a ska band.  It was mostly due to this fucking song which introduced me to how fucking awesome it was when guitars, trumpets, saxophones and trombones met and fucked and made beautiful music babies.  THE MIGHTY MIGHTY BOSSTONES - "THE IMPRESSION THAT I GET"
- One of the songs that, just like the Prodigy, I hated the first 20 times I heard it then fell madly in love with.  Still the dumbest fucking band name ever.  CHUMBAWAMBA - "TUBTHUMPING"
- And, of course, how could I not mention this...  We were all still sad, even young white kids from rural, Southeastern Wisconsin who didn't fully understand...  PUFF DADDY AND FAITH EVANS - "I'LL BE MISSING YOU"

But, there were three records I could not stop fucking listening to:

1. Rage Against the Machine - "Evil Empire" (from '96 I know, but I was too young for it when it was released.  Probably was still too young a year later, but, oh well.  I could write 10,000 words on this band and probably will someday.  I love them so much)
2.  Third Eye Blind - Eponymous
3.  Wu-Tang Clan - "36 Chambers"

I'd like to talk about the last two in particular.  It was quite a divisive year for me and one that I've never particularly recovered from, for a number of reasons.  But, suffice it to say, those were very different records and I couldn't understand why I couldn't love and appreciate both.  Let's start with "Third Eye Blind."

I grew up Catholic.  My grandparents were Catholic, my mom went to Catholic school, we did Catechism growing up, were afraid of a vengeful God, were constant disappointments to Jesus, who died for our sins, didn't have enough money to give to God so He would love us, and on and on.  When we moved away from Oconomowoc, the town my mother and, subsequently, my sister and I were raised in, we stopped going to church regularly.  It was nice and allowed me to sleep in before watching Packers games.  I loved it.  Though, to be fair, most churches made sure to end before kickoff as we all know what the true religion is in Wisconsin.  But, when I was 9 or 10, I began to get very curious about all of this "God" and "Jesus" stuff once again.  A new kid at school, Andrew, was very religious and, at that age, I didn't know what I was.  But, he was so sure of his faith that he inspired me to attend his church.  It was a very small gathering, at first, in a local shop.  His dad was the preacher and it was non-denominational; they accepted all, even Catholics.  His dad did music-inspired sermons, using popular music of the day and relaying messages based off that.  I loved it.  I loved music and Andrew's dad seemed like a cool guy, who happened to love Jesus.

It was Andrew who "reintroduced" me to Third Eye Blind.  I say "reintroduced" because I had heard those fuckers before and hated them.  I hated "Jumper" and I hated "Semi-Charmed Life" so I couldn't stand these assholes.  That singer fuck was so smug.  So fucking smug.  But, then I finally listened to the whole album with Andrew.  Songs like "How's it Going to Be" and "God of Wine" started to change my mind.  Their next album "Blue" would seal it up, but they could fucking rock and not just be super fucking corny; though, they knew that was the way to make money.  It was smart.  I couldn't stand some of the hits, but the rest of the albums were actually good.  Seriously, even with that smug ass singer fuck. 

Truth is I found, and subsequently lost, my religion through music.  His music-driven sermons drew me in and then a multitude of things pushed me back away.  One, I could see the way Andrew's dad lorded over the household.  His family, especially Andrew's mom and sister, were dealing with self-esteem issues that seemed wrought by his father, the pastor or preacher or whatever the fuck he called himself.  It (probably/hopefully) was never as bad but reminded me of the way my dad made us all feel, especially my mom and sister.  I hated him for it and will never forgive him.  That wasn't all he did, but we'll save that for my (future) therapist.  But, I could see the same emotional scars, the same shame and guilt and fear of letting him down in their family.  I started to resent his dad.  I hated when he was around.  The whole family acted differently.  Then, soon after I started to see this, Andrew's dad did a sermon about Pearl Jam and their version of "Last Kiss."  I'll never forget it.  It would be the last time I would go to that church and the last time I'd see his dad.  He sermonized against Rock N' Roll and how selfish it was to want their loved one to stay on Earth and how they lacked faith and how they weren't true believers in Christ and on and on.  First off, it wasn't Pearl Jam's song you fucking asshole.  They recorded it for a fucking benefit record.  Second, if wanting a loved one to NOT DIE is terrible than I'm a terrible person too.  God, I was so pissed at him for ruining religion for me.  Also, for years I couldn't listen to Third Eye Blind as it triggered this all for me.  Eventually, the Asperger's won out and I've compartmentalized it and don't feel emotionally attached to that memory so I can listen to the album again.  "Blue" is a better record but it's very nostalgic to fire up "Third Eye Blind" every now and again...

So, Wu-Tang.  I was WAY too young when "36 Chambers" originally dropped but I can't ever forget watching MTV2 late, very late, one night (my inability to sleep normally, not quite insomnia, but not quite not insomnia, started very early) and seeing THIS for the first time...  WHAT THE FUCK??!!??!!  The songs starts off so amazingly that I already fucking shot my wad 20 seconds in.  It gets better and better with each MC until I get to Method Man's verse.  It's so good and so unique and so unlike anything I'd ever heard, unlike anything any white kid from rural, Southeastern Wisconsin has ever heard, and so mind-blowing UNTIL (wait, is there no chorus?  We still haven't had A CHORUS.  What is going on?)...  HOLY SHIT...  1:52 in...  WHAT THE FUCK IS HAPPENING TO ME?  I had never before, and very rarely, if ever, after, heard anything that rearranged my molecules the way Ol' Dirty Bastard's verse rearranged my molecules.  It was so unique and so heartfelt and so angry and so sad and so beautiful and just so fucking amazing that I didn't know what to do.  All the guys in Wu-Tang are awesome but Dirty was a different breed.  It's so sad what happened to him, but he left us some amazing, wondrous music that is hopeful in a weird way.  It's not hard to hear that music was his grounding commonality with us other humans and the rest of life was not his purview.  He was put here for one purpose and one purpose only, but being human, he had to balance somewhere and his brain could not handle life on Earth outside being creative and beautiful.  I get his pain.  I feel worse for those who loved him but could not help him...

But, the saddest part of growing up in rural, Southeastern Wisconsin is that no one else loved Wu-Tang Clan the way I did, especially the "friends" I had who I enjoyed Third Eye Blind with.  Not only did they not understand it, and the fact that some people live different lives and therefore have different stories to tell, but they openly and actively shunned it; and therefore, me.  They hated it and it was the devil and they couldn't figure out why I enjoyed it and how I could "listen to that garbage."  I was already mostly done with that crowd anyways, but soon found myself outside my other crowds as well.  My metal music crowd, my country music crowd, my Rock N' Roll crowd (yes, I judge people based on music interest, just as judgmental, I know, but I don't care.  Music is what I care most about) all shunned me as well.  I soon found I had few friends left.  My Punk Rock and Folk music friends never left, all 3 of them.  We stayed close. Apparently, Punk and Folk were more inclusive than other genres.  Which, kind of makes sense if you think about it but kind of not.  Oh, well.  After my old friends tried to fight the only black and Mexican kids (all 2 of them, 1 of each) in our high school and I defended them, eventually punching my old best friend of 6 years in the face, I realized I was much better off without those "friends."  It's lonely to give up friends but it's lonelier to give up oneself...

Anyways, it's late and I'm tired.  Goodnight for now and remember:  sometimes you eat the bar and sometimes the bar eats you...

Monday, November 7, 2016

Monday Night is for the playlists... a.k.a. time to get your drink on since there literally might not be a tomorrow...

God Save Us All, except Trump.  Seriously, Fuck Trump...  


On the eve of the Election 2016, or as it's better known (insert your favorite John Oliver alternate election name joke here, my favorite being "America's Shit Salad Fuckstravaganza 2016"), I wanted to live it up a little and let loose.  After all, it may literally be my last chance to listen to music and drink as an American.  Let's allow music to take our minds off of the Green Bay Packers' second consecutive loss and our possible pending doom come the morrow.  Enjoy!

The Cardigans - "My Favourite Game"

Jennifer Lopez - "Waiting for Tonight"

Starting this shit off with a two-fer.  Speaking of two-fers, any Gran Turismo 2 fans out there?  One of the most ridiculous things my buddy and I used to do, for hours and hours on end, was firing up the old Playstation, putting GT2 on in head to head mode and playing "tag" with the cars we would choose.  We would stay up all night, racing around the track trying to elude whichever one of us was "it."  We had some epic battles.  Seriously epic fucking battles to the death.  Sort of, but more like stay up all night rocking Jennifer Lopez's "On the 6" on repeat until one of us literally passed out from exhaustion.  "Waiting for Tonight" is the perfect song for three in morning driving, video-game style.  It really gets you in the zone.  One of my favorite things about my then best friend, was the fact that we could, unabashedly, enjoy silly pop music like Jennifer Lopez or Britney Spears or Mandy Moore with no judgement.  Definitely not something I shared with anyone else, being a twelve year old in rural Wisconsin.  For men, listening to Jennifer Lopez was generally frowned upon, to put it nicely.  We enjoyed just being fucking goofy and listening to goofy things.  Lots of great times...

Beach Slang - "Bad Art and Weirdo Ideas"

I know, right?  Fucking left turn immediately but this song kills me.  There just aren't many songwriters who can actually fucking write lyrics worth a damn anymore.  This muthafucker can.  I don't know his name because I hate googling things like that.  Fucking great and smart Rock N' Roll, Punk, or whatever you want to call it.  But whatever you call it, just be sure to also call it awesome.  He focuses a lot on the sense of being "alive," which hits me right where I need to be hit sometimes.  This album, masterfully entitled "The Things We Do To Find People Who Feel Like Us," warms the deepest parts of the cockles of my heart and makes me want to find a couple dudes or chicks to start a more hard-rocking version of Bradley Wik and the Charlatans.  I fall in love, rough, with records that inspire me, and this one definitely does.

The War on Drugs - "Red Eyes"

Well... This song has everything I hate about hipster music, but, for some reason, I can't help but listen to it.  They do the stupid "douse everything in reverb" nonsense, I can't understand a goddamn word this fucker is singing, the bridge sucks, the song feels loosely structured and not crafted into its' best possible version, but, despite all of that, I still rock out to it.  Go figure.  Fuck...

Paul Simon - "Kodachrome"

Let's cleanse the palette with this one.  Paul Simon might've been a huge asshole by all accounts, but, fuck, could he write a tune.  I love it when he says "my lack of education hasn't hurt me none."  That's my life.  In this day and age, people look at a (relatively) young man who says he intentionally skipped college quite strangely.  Most people don't understand what I got was so much more valuable.  I spent my college years, the amazing/terrible/hopeful/hope-killing years, traveling this great country across and back playing music.  Believe you me, I've seen more shit than I would've wasting my time learning shit I learned on my own for free anyways.  Maybe I would've banged a few more chicks, but, then again, maybe not.  I'm a relationship type of guy.  Asperger's and depression make it hard for me to be alone for any significant amount of time.  I almost found out the limit of that once, and I don't want to do it again...

Mos Def - "Hip Hop"

Early on in my getting-to-know-hip-hop-music days, my good buddy gave me this record, "Black on Both Sides," along with Talib/Reflection Eternal's "Train of Thought" and Aesop Rock's "Labor Days."  Holy muthafucking shit is that an education on some great hip hop.  I can't thank him enough for introducing me to so many great artists.  Listening back to "Black on Both Sides" makes me sad, though, as all of the issues he poses are still quite prevalent, and getting worse (thanks Trump, you cunt).  You can go back into hip hop further and hear the same things.  After all these years, it's depressing to see we haven't moved forward hardly at all.  It's fucked up.  There's a world full of people who don't look exactly like white Americans and somehow that's hard to accept for some people, and Trump is playing on that ignorance/fear.  Goddamnit.  Please people, don't let him become president...

Stevie Nicks (feat. Don Henley) - "Leather and Lace"

Stevie and Don Henley?  Uh, yes please.  Do I really have to say more?  If I had to pick one song to describe my relationship with my girlfriend, this would definitely be it.  Not sure if that's a good thing or not, but, well, it's true...

Pearl Jam - "Given to Fly"

For all of those who watch "Touring Band 2000" religiously, as I do, you'll get this one.  This is easily one of the highlights.  Fuck, it's just beauty incarnate.  Truly.  That's all I have to say about this one.

Neil Young - "Albuquerque"

This album, "Tonight's the Night," is one of the main influences on my new album.  I love the rawness of the songs and the recordings, which fits the songs fucking perfectly.  Sometimes, the best way to display the stories is to scale back the production.  This song sounds like I want all my songs to sound like.  I know this record was initially rejected by Reprise Records, but goddamn, did they fuck up.  Labels rarely understand.  Wilco made a movie about it...

Roy Orbison - "It's Over"

Someday, I might be able to listen to this song without tearing up, but not tonight.  I wish that when I grow up I can write songs like this.  Obviously, I'll never be able to sing one note in my life as beautiful as Roy, but I wish to God I could.  I really do.  This song is so beautiful and magnificent.  That fucking vibrato, those sad notes.  Roy was truly a once in a lifetime talent.  Johnny Cash spoke very highly of him, and given his "Black and Night" concert, Roy was clearly respected by his peers.  Well, I use "peers" loosely as not many could touch his level of talent and songwriting.  As far as male singers go, Roy's in a rare class with Otis Redding and Jeff Buckley.  Nobody tops Otis, ever, and I mean FUCKING EVER, but Roy comes close.  These are the kind of artists that make me feel so vastly unable to convey the same level of emotion, pain, hope, love, despair, happiness and longing.  At least I know where the bar is set...

Wu-Tang Clan - "Da Mystery of Chessboxin'"

Nine year old Bradley couldn't fucking comprehend this shit.  All I knew was that I loved it.  I heard "Protect Ya Neck" first on MTV and fell in love.  I ran to the library (yes, the library) to check out this CD and revel in it for a couple weeks.  I had friends who liked Biggie and Tupac, but even so, it was hard to convince rural, white Wisconsinites that "Enter the Wu-Tang (36 Chambers)" was brilliant music.  Needless to say, I listened to this a lot by myself.  The music I couldn't listen to around others was usually relegated to the Walkman while cutting grass.  No one could hear what I was playing and it was probably better that way.  I could listen to anything I wanted away from my judgmental friends.  Or, I guess, "friends," as I would find out later.  Maybe I'll tell you the full story sometime, but for now let's just say I ended up punching one of my best friends in the face because he stood behind my (former) friends when they were verbally abusing the only black kid in our high school.  Shit kicked off and punches were thrown and he came to the defense of his lifelong buddy (which is hard to blame him for on that front, but it's obviously not acceptable given the circumstances) and I had to defend myself, and basic human decency, and hit him before he hit anyone else.  It was a strange, confusing time for me and I ended up without friends for a while.  But high school kids don't make great friends anyways and I found out the older kids had better weed.  So, I guess it was a win-win for me.  I won morally and in smokin' that shit while watching WWF on Mondays.  Life is weird but Karma is for real.  For real...

Speaking of Karma, I can't imagine what will happen to all of you who vote Trump tomorrow...  How about we don't find out...  May God have mercy on us all...